Councillor Tony Belton’s Latchmere October Newsletter (# 42)
August & September highlights

1. Well to be honest highlights were mainly holidays, the Olympics and the Labour Party Conference – OK, so one has to be a political nerd to call the latter a highlight but so be it! As for my holiday, well I won’t bore you with lots of holiday snaps but here are just two of Niagara Falls and a Canadian native!
2. As for the Olympics – in my August Newsletter, I reported on going down to Putney High Street to see the road race pass, but later in the same month, I also managed to get tickets for a few other events. Surprisingly, to me, my favourite event was the female weight-lifting – absolutely terrific, with plenty of crowd participation. I know one Egyptian lady would not have lifted the weight without the crowd willing her to succeed.
3. For those who know me you may be surprised that on August 18th I went to the Black Pride event at the Ministry of Sound! The Ministry is in Kennington and the event was a raucous, hot enjoyable event. OK, so I was hardly an average member of the audience but I was not as much out of the ordinary as I had expected, with plenty of other “mature” participants. Not, however, my cup of tea and I have too much respect for my ear-drums to have stayed long!
4. On 21st August a Council Committee decided to keep the in-house team in the bidding to run both Croydon’s and Wandsworth’s library services. The Council contract will include running the York Gardens Library. I know that many people, including in the Labour Party, do not think that it is that important to keep these services in-house, but I most certainly do so. I will be keeping fingers and toes crossed for the next stage of the bidding process, which will become public in November.
5. There have, of course, been two Planning Applications Committees since my last newsletter, one in August and the other in September, and perhaps unusually both had applications of interest, even if small to Latchmere. First of all was the Council’s own application to convert the health centre in Wheeler Court to six Council flats. Wheeler Court is the 4-storey block in Plough Road right next to the traffic lights at York Road. The second was another Council application to convert Dawes House, that is the small block right opposite the Grant Road exit from the station and next to the Nazarene Church, into accommodation for homeless families rather than leave them in the inhuman conditions of bed & breakfast accommodation. Two good and useful applications for affordable housing, both of which were passed.
6. On September 25th I had the Strategic Planning Committee and on 26th the Housing Committee – two busy evenings. The Planning Committee included the latest plans for the Thames Relief Tunnel, which will run alongside the Thames for 20 miles and is designed to prevent the occasional disastrous flooding, which causes serious river pollution and the deaths of millions of fish. One of the base stations for this work is likely to be the Falconbrook Pumping Station, pictured here behind the demolished remnants of York Gardens Adventure Playground. All three of your councillors recognise that this mammoth Tunnel is required but we will be fighting to ensure that there is as little disruption to the Gardens as possible, so, for example, construction traffic will be coming in on a new access direct from York Road and not through the estate and the Gardens. What with the threat to the Library and the closure of the playground, York Gardens has had more than its fair share of pressure in the last few months!
7. In September I also went to the Wandsworth Museum to see the exhibition of Painting Wandsworth. The museum has 300 water-colours of Wandsworth and the exhibition showed about 60 of the paintings. The paintings date back to the eighteenth century, though most are nineteenth century works, but for anyone with a passing interest in the history of Battersea, then do go. I know the Museum is slightly out of the way being in the old West Hill Library but it is only 5 minutes’ walk up the hill from the Southside shopping centre and well worth the walk. There are also lots of buses from Clapham Junction that stop almost outside it, e.g. 37, 337, 170. It also shares the building with the brilliant de Morgan exhibition, which as I have said before is a small but world class exhibit that highly recommend to everyone.
I include two of the paintings. The first, this early nineteenth century picture of the Prince’s Head in Latchmere, which used to stand on the corner of Falcon Road and Battersea Park Road (though neither called that at the time, of course).
And the second is of the Arts Centre, then Battersea Town Hall, which judging by the car, the tram and the fashions must have been painted about 100 years ago – say 1910. Note the Shakespeare Theatre next door, which was unfortunately badly damaged in the war and demolished in 1954. It is now Foxtons, the estate agent!
My Programme for October
1. There is a Council Meeting on 17th October and the Planning Applications Committee on the 18th October.
2. There must be more but just back from the Labour Party Conference and I do not seem yet to have got back into the full swing of Council business!
Did you know?
That Latchmere has a large, stately home or so says both our local and national press, when covering the strange Chinese murder trial of Gu Kailai. You may recall that this was the August trial of the Chinese politician’s wife found guilty of murdering British businessman Neil Heywood. Mr. Heywood, it was reported, had in his youth lived in Latchmere’s large stately home known as South Lodge.
Well, here is South Lodge (the red brick house), on the Latchmere Road right opposite the Leisure Centre. It is divided into 5 flats and pleasant enough I guess but a large, stately home? Just teaches one not to believe everything one reads in the press!
Top Hat
I went to the musical, Top Hat, last week. Great stuff.
I am a bit of a fan of Astaire and Rogers and was a little concerned that the show could not possibly compare with the film. But I was wrong – scintillating stuff, imaginatively staged and beautifully played – especially by Ginger Rogers/Summer Strallen. The second act staged in Venice could not quite compare with either the first act set in London or the film version but that is a harsh judgement on a great show.
Interesting though that the West End should be playing Singin’ in the Rain and Top Hat – the two greatest films from the two most brilliant dancers, Fred Astaire and Gene Kelly – right now. Many have made the point that the great Hollywood era of musicals and comedies coincided with the great Depression – even if Singin’ made in 1952 is a bit outside the period. And now as the world faces the greatest financial storm since then we have these two revivals and the Olympics. As Nero said about the plebs of Rome – give ’em bread and circuses.
One thing in common in both crises is and was a Conservative Government pursuing negative, cutting policies. Cameron and Osborne do not understand that reducing demand by cutting Government spending does nothing but worsen the crisis. In the thirties, of course, GB finally moved out of the depression not by worrying about debt but by responding to the threat from Nazi Germany. Our parents and grandparents did not worry about the national debt – thank goodness and had no choice but to leave the next generation to pay off war-time debt, which we only completed about 10 years ago.
Heaven forbid – we don’t need war but we do need to get rid of this incompetent, deeply reactionary Government as soon as possible. After the Olympics the economy is going to be in serious need of stimulation and if we are to avoid a triple dip recession then we need aggressive investment and a quick reversal of all Osborn’s cuts.
My Latchmere August Newsletter (#40)
July highlights
1. On July 4th I went to a Labour Party fund raiser at the Fish in a Tie restaurant in Falcon Road,
where the guest speaker was Andy Burnham, Labour’s Shadow Health Minister. As you know I don’t make this newsletter a party political broadcast – far too boring – but I must say that Andy was on great form. He was interested to see the new Clapham Junction Health Centre, as he came to open the centre with me when it was in a couple of mobile caravans in the nearby car park just before the last election. By the way, if you haven’t been there, can I recommend the Fish in a Tie as one of the best, at very reasonable prices, restaurants in our ward.
Another thing Andy s
aw was the newly re-opened entrance to Clapham Junction station. Some of you complained about the length of time the work took but I think everyone will agree that the new entrance (pictured here) is a terrific improvement on what was there previously.
2. Last month I commented that the British economy was now officially in what is known as a “double-dip recession”. Unfortunately with both Government and Council pursuing a crazy deflationary policy there seems little prospect of pulling out of it and indeed I have heard some talk about a “triple-dip recession.” The result in Latchmere was yet another rise of 10 in the ward’s official unemployment numbers, with 330 men and 230 women unemployed.
3. The Planning Applications Committee on 18th July had one application of real local interest and that was the one about the re-development of Clapham Junction’s Peabody Estate at the top of St. John’s Hill. Local residents were very actively opposed to the application, including as it does a 12 storey block and 527 residential units. Their opposition was partly based on the traffic implications on Eckstein, Comyn and Severus Roads, partly on the sheer scale of the application and partly on the size of the 12 storey block. One of the problems about the height of the tallest block is, for me, that it is not only that high but that it is at the top of the hill and will, therefore, dominate everything on the south side of the railway lines. I joined, with senior Tory councillor Maurice Heaster in opposing the application but I am afraid the very many local residents in the public gallery were disappointed.
4. On 19th July we had the Latchmere Report Back Meeting at York Gardens Library, There was a large audience and the normal range of questions about housing, pavements, street cleaning and refuse collection but what made it unusual was the decision by the pressure group London Citizens to make it a “protest” against the Council’s cuts policies. This meant that what is usually a time for the local councillors to be asked and answer questions about the local ward, became a quizzing of Tory Council Leader, Ravi Govindia.
5. I am afraid that I did not attend the Poyntz Road/Knowsley Road Triangle Party on 7th July. I am afraid I chickened out when the heavens opened and rained on what for me is the best street party in the Borough.
My Programme for August
1. Well, to be honest what with personal holidays and the Olympics – I went down to Putney High Street to see the road race pas
s, not the greatest picture but there it is! – it doesn’t add up to much at all, but I will be interested to see exactly what is going to happen to the Borough’s Library services. On 21st August a Council Committee will be considering the next stage in the “contracting out” of the Borough’s boundaries. Anyone who knows me will know what I think about contracting out core services like Libraries but I am rather afraid that it does not look good for our service, which I expect to be contracted out to some multi-national services provider.
2. I am not back from holiday until 11th September and so next month’s newsletter will not be in the first week of the month!
Did you know?
Last month I mentioned that the Falcons used to be Wandsworth Council’s Livingstone Estate and that Peregrine House used to be called Burne-Jones Court, after the painter Edward Burne-Jones. Well to continue the parade, Griffon House, which of course was demolished to make way for the Imperial College student residencies was called Elgar Court.
Sir Edward William Elgar (2 June 1857 – 23 February 1934) was, of course, the famous English composer, many of whose works have entered the British and international classical concert repertoire. His best known works are the Enigma Variations, and most notably the Pomp and Circumstance Marches, both regulars at the Promenade Concerts. And for those of you who have forgotten Pomp & Circumstance then here it is on U-Tube www.youtube.com/watch?v=moL4MkJ-aLk
One of the most notable features about Elgar, pictured right, was that he was one of the first “classical” composers to take modern recording methods seriously. In a period from 1914-1925 he made several recordings but when in 1925 the microphone was invented he started a recording of all his works and hence has a fair claim to be the first composer to have had all his works recorded in his own lifetime.
Why the Council named the Livingstone blocks after artists like Burne-Jones and Elgar (with more to come), will be the subject of a later Newsletter.
The Punter is King but now dethroned!
In May I wrote a BLOG called “The Punter is King” and in it I included the following two paragraphs:
“This is very apparent in the Wandsworth example of the Springfield Hospital development site. This large, undeveloped, NHS site has stood under-used for decades. The NHS, which of course needs the money, has put forward two perfectly acceptable development proposals, but they got their politics wrong. Their last application was submitted at a time when it got caught up in the 2010 General Election. Both major parties, for largely electoral reasons, took part in a vigorous anti-campaign and the Council, assisted by the fact that its Deputy Leader lived opposite the site, decided to reject the application.
The community, or rather the immediate neighbours, knew what it wanted and won the argument – the Council gave the punters their desires. But just what are the odds on a semi-privatised NHS, even more strapped for cash, and/or its developers coming back with a larger, much less neighbour friendly application – fair to middling I guess – and in the meantime we have had an extra few years of decay, fewer desperately needed homes and less money for the health service. So we have total victory for the punters in the short-term but arguably a loss for the wider community (the homeless and patients) and a probable long-term loss.”
Well, now the Secretary of State has taken the matter into his own hands and granted planning permisson and both the local Labour MP, Sadiq Khan, and the local Tory Council, Wandsworth Borough Council, have joined together in condemning the decision. But what actually is the result? The development is much as Wandsworth Council officers originally recommended, with very much the same conditions applied. As it happens the delay was not perhaps as great as I had feared and it is not the case that a worse scheme has been put forward by an even more cash-strapped NHS.
Does it merely prove that we are all Nimbies (from Nimby or Not In My Back Yard) and that big local planning issues cannot be left to local authorities – sad, if true.
Clapham Junction, Grant Road entrance to open tomorrow, 11th July
Good news for all those who use the Junction. We are told that the “new” Grant Road station entrance will be opened tomorrow, 11th July. At least one of my several constituents, who live with a ringside seat of CJ, in Sendall or Osprey or Eagle Heights, says that as he looks down on the station that he has his doubts, but we can only hope that the “authorities” know what they are talking about!
OK, so its a slightly dated image but I like it!
Cymbeline at the Barbican, By William Shakespeare
“The fault, dear Brutus, is in the play and not the production or the playing of it” was my thought watching this melodramatic, Japanese rendition of Shakespeare’s late romance. Shakespeare, of course, could not have known of Japanese Kabuki theatre but he could well have been commissioned to write plays for the discipline, with its dramatic and spectacular production values.
This version, part of the Shakespearean Olympiad season, put on at the Barbican theatre was directed by Yukio Ninagawa with the verve and gusto one would expect from the Japanese theatrical tradition. The staging, the music, the sound effects, the lightening flashes and the sets were all spectacular, culminating in the truly mesmeric battle scene. The balletic, slomo battle between Britons and Romans was without question the dramatic highlight of the second act.
But at over three hours this was a marathon and both the director and Shakespeare would have benefited by a bit of ruthless editing. Indeed one criticism one might have made of the production was that it was too true to the original. The complex and bewildering twists and turns of the final scene are lovingly portrayed, even though Shakespeare himself urges the players to get to the point and speed up the action.
It is, to be true, over-written. In the last “outlandish” scene alone, Cymbeline discovers his long lost sons, loses his wife both emotionally and physically, discovers the death of his stepson and re-discovers both his daughter and her husband, and still finds time to forgive the defeated Romans and yet accept Roman victory over Britain and make a just peace. Oscar Wilde may have been laughing at the death of Little Nell; he would have been uncontrollably hysterical both during this scene and when Jupiter descends rather comically on the back of an eagle.
Masanobu Katsumura plays the oafish Cloten with wit and distinction. Shinobu Otake is beguiling as Imogen though perhaps does not handle the last difficult scene with such a sure touch. Hiroshi Abe is handsome and dashing as the heroic Posthumus Leonatus. Shinobu Otake is a vain and self-regarding Iachimo. Ran Ohtori is a magnificently evil Queen and Tatsuro Sagawa a suitably pompous Cymbeline.
However, regardless of the enthusiasm of the players and the distinction of the directing, questions must still be asked about the play. The sur-titles made it intelligible as well as exciting but in the final analysis would this play with its bizarre, byzantine plot be played if it were written by anyone less distinguished than Shakespeare.
Unlike his great works Cymbeline does not speak to all ages, about universal issues, informed by real human emotions but is rather cobbled together as a late and relatively uninspired work. The writing is strained and not very poetic – it is perhaps the only Shakespearean play I have ever seen, which has not left us with a phrase or a quote that is a commonplace in everyday language.
It was great to see this Japanese production as a part of the Olympiad Shakespearean celebration but I don’t believe that I will be dashing off to see an English version just to see what Shakespeare had really intended.
* Tony Belton & Penny Corfield discuss shows that they see together and take it in turns to write reviews.
My Latchmere June Newsletter (# 38)
May highlights
1. The Mayoral Election took place on 3rd May. Congratulations are due
to Boris Johnson and his local running mate DickTracey, But I doubt that any party was very pleased with the result, with Boris winning by a small margin against Ken, for whom it was undoubtedly one election too far. The Labour party did quite well across the country but perhaps not well enough to be complacent. Apart from Boris, it was a disastrous election for the Tories but not quite as bad as it was for the Lib/Dems. The picture is at the Committee Rooms in Falcon Road.
2. But we can’t let this occasion go by without saying a word about Ken Livingstone. It was an election too far – perhaps two elections too far, but let’s make no mistake he has been a giant of London politics for the best part of 40 years. It is difficult to remember now, just how popular he was for most of those years.
Apart from his roles both as a Lambeth councillor and an MP he has been the London city boss for 13 years, from 1981-86 as the Leader of the Greater London Council (GLC) and as Mayor from 2000-2008. He defeated the official Labour candidate, Frank Dobson, in 2000 (making him one of the most successful independent candidates ever in British electoral history) and massively outpolled Margaret Thatcher in all the London popularity polls in the late 80s.
But he also has a stream of achievements behind him, which would be the envy of many politicians. He almost invented today’s cosmopolitan London, with his emphasis on the Rainbow Coalition and a 24:7 city life-style. Certainly his espousal of equal opportunities, almost a joke at the beginning of the 80s, has made it standard practice in even the most conservative of establishments. Livingstone transformed London bus services and was the first and only person to reduce rather than enhance the dominance of cars on the London roads, both with lower fares and the congestion charge.
Even his “mistakes” usually had a positive outcome. Too far back for many to remember but he invited the IRA (Irish Republican Army) to talks at what was then County Hall. The right-wing press slaughtered him for talking to, and giving respectability, to terrorists. But Thatcher followed not long after and 10 years later Tony Blair brought a level of accommodation and peace to Northern Ireland – but Ken had blazed the trail. Perhaps his finest single moment was his speech immediately following the dreadful London 7/7 bombings, when he stood up for a multi-cultural, cosmopolitan London which would not be cowed by terrorism and blood.
His opening sentence on the day of the bombing was; “This city is the greatest in the world, because people live side-by-side in harmony – and Londoners will not be divided by this cowardly attack. … We are here because people from around the world come to London; people live in London, to fulfil their dreams and to achieve their potential. They choose to come to London, as so many have come before, because they come to be free”.
If Boris achieves half as much he will be doing well – something I hope he remembers at the opening of the Olympics, which would not be coming to London without Ken’s participation – along with many others.
3. I attended one of the consultation meetings the Council had at York Gardens Library on 22nd and 23rd May, but frankly the Council really does not know how to do these consultations. Very few people attended and that was no great surprise as the Council seemed to think that consultation about a blank sheet of paper was what was required. It contrasted strangely with the Big Local meeting on 24th, which had 24 participants planning a June 14th meeting of which more below. But the real contrast was with the London Citizens South London Assembly held at BAC on 29th May. There were 300/400 people there at an almost evangelical public meeting. There were more Latchmere residents at this meeting than at any I have seen and there were promises of many start-up residents associations. It was also notable for a real grilling given to the Council Leader, Ravi Govindia. He did not come out of it well.
4. The 23rd May Planning Applications Committee had not one application from Latchmere but a couple of days before I went on a site visit to Covent Garden Market, pictured here in neighbouring Queenstown. This is yet another enormous site,
currently pretty much ignored and out of mind as far as most Battersea residents are concerned, but where gi-normous planning applications are expected in the next few months. The market will be re-built but added into the mix will be several thousand new homes – exciting times coming in Nine Elms Lane.
5. On the same theme I and my councillor colleagues, Wendy Speck and Simon Hogg, were shown the developers plans for the Prince’s Head pub in Falcon Road. This pub has been a source of some controversy with many local residents for many years. A developer now wants to demolish it and build a block of 30/40 small affordable flats, known as pocket concept flats. Whilst in many ways it is sad to see yet another pub go, this particular pub will not be any big loss and on the whole I thought the development looked good. The developers are happy to discuss it with any local residents’ groups.
6. On 27th May, I took part in Wandsworth Heritage Festival by leading a History walk from the Latchmere pub, via the Park, the Latchmere Estate and the Shaftesbury Estate to Battersea Arts Centre (BAC) – there were 15 people – very enjoyable.
My Programme for June
1. The Jubilee, of course, on the 3rd June along with street parties and the like through-out the week.
2. On 14th June the Big Local is having a Vision Day at York Gardens Library, between 3 and 8pm.
3. The Planning Applications Committee is on 21st June and whilst I do not know for certainty what exactly is on the agenda, in the next few months will include applications for Covent Garden and the rebuilding of Clapham Junction’s Peabody Estate.
What do you know?
I am not putting myself on quite the same level as last month’s extract about the Duke of Wellington but I thought I should say that after years and years as the Labour lead on both Wandsworth’s Planning Applications and the Finance and Corporate Resources Committees, I have just become our lead both on the Housing and on the Strategic Planning and Transport Committees. I will continue to sit on the Planning Applications Committee.
In Praise of Ken Livingstone
For those for whom the 1980s are already ancient history, I thought it worthwhile to say a bit about Ken. Last month’s election was one too far – perhaps two elections too far, but let’s make no mistake he has been a giant of London politics for the best part of 40 years. It is difficult to remember now, just how popular he was for most of those years.
Apart from his roles both as a Lambeth councillor and an MP he has been the London city boss for 13 years, from 1981-86 as the Leader of the Greater London Council (GLC) and as Mayor from 2000-2008. He defeated the official Labour candidate, Frank Dobson, in 2000 (making him one of the most successful independent candidates ever in British electoral history) and massively outpolled Margaret Thatcher in all the London popularity polls in the late 80s.
But he also has a stream of achievements behind him, which would be the envy of many politicians. He almost invented today’s cosmopolitan London, with his emphasis on the Rainbow Coalition and a 24:7 city life-style. Certainly his espousal of equal opportunities, almost a joke at the beginning of the 80s, has made it standard practice in even the most conservative of establishments. Livingstone transformed London bus services and was the first and only person to reduce rather than enhance the dominance of cars on London roads, both with lower fares and the congestion charge.
Even his “mistakes” usually had a positive outcome. Too far back for many to remember but he invited the IRA (Irish Republican Army) to talks at what was then County Hall. The right-wing press slaughtered him for talking to, and giving respectability, to terrorists. But Thatcher followed not long after and 10 years later Tony Blair brought a level of accommodation and peace to Northern Ireland – but Ken had blazed the trail. Perhaps his finest single moment was his speech immediately following the dreadful London 7/7 bombings, when he stood up for a multi-cultural, cosmopolitan London which would not be cowed by terrorism and blood.
His opening sentence on the day of the bombing was; “This city is the greatest in the world, because people live side-by-side in harmony – and Londoners will not be divided by this cowardly attack. … We are here because people from around the world come to London; people live in London, to fulfil their dreams and to achieve their potential. They choose to come to London, as so many have come before, because they come to be free”.
Some had cause to regret his war with Margaret Thatcher, after all I along with perhaps 20,000 others were made redundant as a consequence of it and her consequent abolition of the GLC. But in the end he won and he was right. London needed some form of regional government and although the Mayor and GLA is not the model I would have supported (nor was it the model that he supported in the early Blair years) it is now clearly here to stay, commanding as it does bi-partisan support.
If Boris achieves half as much he will be doing well – something I hope he remembers at the opening of the Olympics, which would not be coming to London without Ken’s participation – along with many others.
Tory emotions – a lament for a Golden Age
It’s curious the way Tories hark back to a golden age of community values and community spirit, when kids could play in the streets and be left to go to school unaccompanied, when neighbours looked out for their elders, when men doffed their caps to ladies passing in the street and when the sun shone all summer through. Curious because surely no political party has done more to destroy that age, if it ever existed, than the Tory party.
OK, so Hitler played his part in breaking up the solidarity of British, and in particular London, working class districts, and no doubt urban planners and both major parties did their best to finish off the job with massive inner city council-led developments. But when I first represented such an area, the community was still recognisably the same as in the immediate post-war world.
Four decades later it is not and the main reason for that, I suggest, is the ruthless pursuit of neo-liberal economic policies first by the Thatcher Government – not in all honesty abated by the Blair/Brown Government but now being disastrously and incompetently pursued by the Coalition.
This is most obvious in the post-industrial north, where whole communities – typically but not exclusively mining and metal bashing towns – have had the heart ripped out of them. But it is also true in inner London. Whole sets of working class communities based on very short travel to work lifestyles have simply been torn apart by CCT or compulsory competitive tendering (where is the old style parkie living in the parkie house? Or the schoolkeeper’s house? Or the caretaker? Or the homehelps and meals on wheels staff? All replaced by minimum wage slaves hired and fired by facilities management companies with no connection or locus in any area at all except the City).
Of course, it is not just CCT. The ruthless pursuit of globalisation, largely in the interest of the political and City/Wall Street elite, has equally played its part. As, of course, has industrial and economic change. But the Tory party with its current neo-liberal economic policies can hardly avoid a fair proportion of the blame!
Call Mr Robeson: A Life – with Songs (2012)
My partner and I decided that we would write reviews of plays that we see. If you are interested this is our review of a play about Paul Robeson, the great American baritone, that we saw at the Warehouse Theatre, Croydon, a couple of weeks back. The review was largely written by Penny Corfield after our discussion. If Robeson is new to you then let me recommend looking him up on YouTube and playing Joe Hill – an American TU ballad.
Written and performed by:
Tayo Aluko
at the Warehouse Theatre, Croydon: 18 May 2012
Paul Robeson
The magnificent power of words – and, especially, of words set to music in song – laid the basis for this mesmerising performance by Tayo Aluko. He deployed his deep baritone and his acting charisma to take the audience through a summary of the life of the great American singer Paul Robeson (1898-1976). True, the audience was predisposed to be appreciative. Yet it would take a veritable heart of stone not to be moved by ‘Ole Man River’, ‘Steal Away’, and ‘Going Home’, sonorously performed close at hand, in the intimate surroundings of Croydon’s threatened Warehouse Theatre.
Tayo Aluko as a young man in Nigeria had never heard of Robeson. Once having got the message, however, he determined that others should share his excitement. Hence his dedication in writing and performing the script as a one-man show. Incidentally, some people in the Croydon audience ventured that Robeson was less likely to have been forgotten in Britain than in his native America. Here he was feted for his music and his internationalism. But, either way, there is scope for all to learn more about this remarkable singer and activist.
Sensitive piano accompaniment came from Michael Conliffe, who wrote the incidental music which linked the scenes together. And the staging was simple but ingenious. Boxes and props were scattered around, allowing Aluko to move from point to point, picking up books, objects and photos to illustrate specific themes at specific times. In sympathy, his acting turned in an instant from happiness to grief, from enthusiasm to brooding, as the different episodes unfolded.
Amusing by-play was generated by the ever-changing names of Robeson’s female companions. In parallel, reference was made to the growing strains within his marriage to Eslanda ‘Essie’ Goode Robeson (1896-1965). She resented his many passionate affairs but, as Robeson’s ambitious business manager, contributed strongly to the advancement of his career. The play’s episodic format was not, however, geared to a close exploration of the sexual and psychological tensions within their marriage. Her disparaging comments in her biography of her husband Paul Robeson, Negro (1930) go unmentioned, as does his angry response. On such personal matters, it is notoriously hard for outsiders to judge. The play does, however, include a late song, in rather uncomfortable tribute from Robeson to his wife’s rock-like character. They split and reconciled several times, but never divorced.
Robeson was a polymath. As a young man, he graduated from Columbia University law-school, whilst playing as a professional in the National Football League. He became a celebrated concert-singer, film star, and stage actor, being the first African American to play Othello, with a white supporting cast, on Broadway. He was a staunch campaigner for human rights within America and an internationalist, aroused to active anti-fascism by the Spanish Civil War. As his career took him around the world, Robeson felt that he was better appreciated outside the USA than he was by his compatriots. For a time he had a house in Hampstead; and, at another time, he lived in Moscow, with his son Pauli. He sought to study his African origins but also to identify the bedrocks of a universal musical language. Above all, Robeson wanted to be accepted as a human being and musician in his own right, not just to be labelled by his ethnicity.
His later years were difficult. During the Cold War years, many Americans viewed Robeson as little more than a ‘godless communist’, although he proclaimed himself not as a communist but a socialist. He was notoriously grilled by the McCarthyite House of Un-American Activities Committee (HUAC) – whence the title of this play: ‘Calling Mr Robeson’. From 1950-57, the State Department blacklisted him, refusing him a passport and the opportunity to travel overseas. Exhausting legal and political challenges followed.
Robeson, who accepted the International Stalin Prize in 1953, also became controversial on the political left and within the American civil rights movement. He feared that he was becoming air-brushed out of history. Despite getting his passport back and launching upon successful comeback tours, he now had a controversial past. Younger activists increasingly ignored his achievements. After a failed suicide bid in Moscow in 1961, Robeson became chronically ill and depressed, on heavy medication. He lived in seclusion with his wife and, after her death, with his son. Throughout, he kept his dignity; and he never rescinded his commitment to socialism and to human rights world-wide.
As indicated in the question-and-answer session at the end, Robeson remains both admired and contentious. The receding tides of history have marooned his uncritical belief in Soviet-style communism. Was he indeed just another of the ‘useful idiots’ (in Stalin’s phrase) who helped to deceive the international community and especially the political Left about the true nature of Stalinism? Should or could Robeson have protested publicly against Soviet communism’s own injustices, about which he was, however reluctantly, becoming aware? The answer is surely yes. Yet this play makes his political journey innerly comprehensible, without necessarily endorsing every step on the way.
Together, Paul Robeson’s life and songs bore witness to his multiple commitments, about which this play invites its audiences to reflect. Those who live quiet lives, their heads below the parapet, may wonder how they would have fared with such a career, in such testing times. And his songs live on: listen to Robeson’s recordings of ‘Now Sleeps the Crimson Petal’, ‘Joe Hill’, or ‘Going Home’. Magnificent – a voice from history for all times.
Author, performer and singer: Tayo Oluko
Call Mr Robeson was directed by Olusola Oyeleye; and designed by Phil Newman.
For future performances in the USA, Canada, and the UK, consult www.callmrrobeson.com; info@tayoalukoandfiends.com; and Twitter: @CallMrRobeson.
To support the Appeal to save Croydon’s threatened Warehouse Theatre, now in administration, see www.warehousetheatre.co.uk.


